It's in such small moments that Jarmusch allows his audience to determine the meaning of these scenes and this collection of stories. But where the first two sections of this triptych are about relatively strained relationships, the final is a warm portrait of almost supernatural closeness.
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"In Venezuela, you're dealing with equipment that's been degraded by many years of neglect," says Jackson. "Ten to 15 years ago, Venezuela was producing 1.5 million barrels a day more than it does today."